I have to confess that I only watched the last 15 minutes of Kai Po Che. My wife was watching it, and she gave me a 3 minute synopsis so that I could understand what was going on. And yet, I found myself moved by the closing shot of Ishaan’s face, just before the end credits started rolling.
I couldn’t figure it out — why would something like that work for me, when I had watched so little of the film? What follows is an attempt to explain it to myself.
The circumstances of Ishaan’s death are still fresh in the memory, but what really stands out during the rioting sequence is how Omi’s stony passivity forms a counterpoint to the frenzied emotions of everyone else around him. When he picks up a gun and starts looking around for a target, what makes it fearsome is that he is utterly expressionless while doing it. You can counteract emotion with emotion, but what to do about this?
The moment of Ishaan’s death itself is not dwelt upon — we very briefly see the shock and the reaction of everyone around, and Omi’s slow, stunned realization of what his actions have wrought, before the film cuts to the present.
The scene is a cricket stadium where Ali, Ishaan’s prodigy whom he died saving during the riots, is about to play his debut ODI. And it is in the stands, in the arms of Ishaan’s sister, that we finally see Omi breaking down. When the dam breaks within him, that is when the enormity of what happened begins to register emotionally.
Abhishek Kapoor adds to that by cutting to the first delivery of the innings, which Ali dispatches to the boundary. And the reaction shot you see is not that of the bowler, but of Ishaan.
Well played, Mr. Kapoor.
ps: That closing shot is also reminiscent of the one in Iqbal that I wrote about, except that the happenings off the cricket field (concerning the other religion, as Baradwaj Rangan would say) impart an additional emotional charge here.